Brandon Reese

A New Approach

OCTOBER 22, 2010

I've worked the same way for years now. I sketch. I tighten sketch. I scan sketch. I place sketch in illustrator and digitally trace node to node, add colors and textures until finish. While I love working in illustrator, I missed the nuances you get with physical pencil or pen to paper. So, I've been experimenting.

I've been using a sweet brush pen in my sketchbooks for about a year now. Learning how to us it, how to hold it, how much pressure to apply. I'm no master, but I'm getting the hang of it. In my free time I work on a little graphic novel idea. I've been inking it with my brush pen, and using black colored pencil to add shading.

So, lately I'm taking what I'm learning from my little graphic novel and combining that with my typical illustrator/texture style. It's exciting to discover new techniques. And even more exciting using those new techniques for paying jobs!

sketchbook with the Japanese Kaimei brush pen.
original sketch

sketch was scanned and traced in illustrator. I then printed out the line art and traced it with my pen brush.

Here is Neptune inked with black colored pencil added. I placed this in illustrator and did all my coloring. Then exported it all back out to Photoshop and...

Here's the final result.